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English pages for Kids and Children-2

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English pages for Kids and Children - 2

Discover the magic of the internet at kinodv.ru, a community powered entertainment destination. Lift your spirits with funny jokes, trending memes, entertaining pictures, inspiring stories, viral videos, and so much

https://i.pinimg.com/564x/f0/3d/fd/f03dfde1280cb71dbce84f926dc5ede3.jpg
Gather around and listen well, for we have a fabled story to tell. Today is National Tell a Fairy Tale Day and a great opportunity to read to your kids. We are encouraged to explore myths, fantasy and fables, old, new or imagined by you on the spot. A fairy tale is a fictional story that may feature fairies, trolls, giants and talking animals. These stories often include enchantments and far-fetched events.

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Здесь:
Nursery rhymes
For early learning counting fun

http://s3.uploads.ru/t/XPfDo.gif Learn English for free
Nursery rhymes & Education
Children songs

Picture Comprehension

песни из мульфильмов
видео на английском языке
тексты песен и сами песни известных исполнителей
интересные рассказы и стихи в оригинале для детей

Reading Comprehension for Kids

Reading Comprehension is suitable for Kindergarten students or beginning readers.
This product is helping children to sharpen reading and comprehension.

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Questions for ELS

http://iteslj.org/questions/

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100 questions and answers

https://www.espressoenglish.net/100-ans … questions/

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https://i.imgur.com/2M1Sfipm.jpg
Пословицы, фразеологизмы, идиомы
в английском языке связаны с чаем.

For example:

To take tea with smb – «пить чай с кем-либо» – иметь с кем-либо отношения или общие дела.
Easy as tea drinking – «просто, как выпить чаю» – очень простое дело.
Not... for all the tea in China – «не сделаю что-либо за весь чай Китая» – ни за что на свете.
If you are hot, tea will cool you of, and if you are cold, it will warm you up. – Если тебе жарко, чай охладит тебя, если тебе холодно, он согреет тебя.
Not my cup of tea – буквально «не моя чашка чаю» – «это не мое», «это не входит в круг моих интересов».

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Lake Havasu City, Arizona
Posted by Jan Ross on March 25, 2012

https://i.imgur.com/KzxBuXom.jpg

There it was. The London Bridge.

No, not that one.

This one.

Yes. Yes, they do indeed have the London Bridge in Arizona. Crazy but true. It’s one of the highlights of this scenic town situated on the banks of beautiful Lake Havasu and one of the reasons we decided to make Lake Havasu City one of the stops on the whirlwind tour of Arizona we were on. The London Bridge and the Pocket Cruisers Convention.

After the long drive from Scottsdale/Phoenix through cactus-strewn desert and craggy brown mountains towering in the distance, the sight of the sparklingly clear green water in the lake was pretty refreshing.

Speaking of driving, I have to say how much we have enjoyed having a rental car and making this road trip. Even though we have traveled quite a bit in the last two years, we have never actually taken a long road trip together. And let me just tell you that a two-week road trip, driving all over the state of Arizona is an excellent test of your marriage compatibility.

Apparently ours is pretty good.

Although, in good conscience,  I have to admit there was that one episode of yelling and gesticulating when I very clearly pointed to the left lane and Tom assumed I was pointing to the right lane and exited off the Interstate instead of continuing the way I had clearly indicated. This was not so much an argument as an example of him being completely and totally in the wrong.

It’s also nice to have a rental car because we just stuffed our dirty laundry into a garbage bag and left it in the car. Our suitcases got lighter and lighter which was very pleasant but we finally had to stuff those smelly clothes back in the suitcases. And I use the word “we” very loosely because in actuality that was me doing the packing because he doesn’t do it exactly right.

Much like how he does not understand my clear gestures to the left lane.

So, Lake Havasu City.

One of the best things we did was take a tour of the London Bridge because the tour guide was seriously great. The tour is really cheap at only $5 (kids 12 and under are free) and you can book it right at the Visitor’s Center which is  inside the gate to the bridge and the area with shops and restaurants located around and under the bridge. Our tour guide was obviously very knowledgeable about and very interested in the history of the bridge and he really made it come to life for us.

Robert Paxton McCulloch was an American entrepreneur who bought and relocated the London Bridge and had the Bridgewater Channel dug from Lake Havasu so water would flow under the bridge. Strangely enough, London actually owned some of the land around the bridge for a short time as it was gifted to them. They eventually sold it back, but there are still London state markers like those around London, England as you enter the area.

Continue: https://www.wanderlustwonder.com/2012/0 … y-arizona/

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How London Bridge Ended Up In Arizona

https://i.imgur.com/zKDPojfm.jpg
In 1968, an American tycoon bought London Bridge—all 10,000 tons of it—
and moved it brick-by-brick to the desert town of Lake Havasu City, Arizona.

In the early 1960s, officials in England made a troubling discovery: London Bridge was falling down. The 1,000-foot span had stood for over 130 years and survived strafing during World War II’s London Blitz, but it was unequipped for modern traffic and was slowly sinking into the River Thames at a rate of one inch every eight years. Renovations were deemed impractical, so the City of London resolved to build a wider, more car-friendly replacement. The 19th-century granite bridge seemed destined for the junkyard, but a city councilor named Ivan Luckin convinced his colleagues that it might be possible to sell it in the United States. In 1968, he crossed the pond to market the monument to prospective buyers.

Luckin knew that London Bridge might be a tough sell. Completed in 1831 from a design by engineer John Rennie, it was the less glamorous successor of several other crossings, most notably the medieval London Bridge, which stood for 600 years and was once dotted with buildings and waterwheels. Londoners considered the existing bridge dull by comparison, but after arriving in America, Luckin promoted it as a timeless landmark. “London Bridge is not just a bridge,” he announced in a press conference in New York. “It is the heir to 2,000 years of history going back to the first century A.D., to the time of the Roman Londinium.”

https://i.imgur.com/Fy2ZfZgm.jpg
AMERICAN ENTREPRENEUR ROBERT P. MCCULLOCH, STANDING ON LONDON BRIDGE AS IT IS DISMANTLED, READY FOR TRANSPORTATION BACK TO AMERICA, APRIL 18TH, 1968. 

The London Bridge sales pitch raised more than a few eyebrows in the United States, but for one businessman, it seemed like a natural fit. Robert McCulloch was a Missouri-born industrialist who had made millions heading up companies that sold oil, motors and chainsaws. Shamelessly eccentric—he once told a reporter that the secret of his success was “booze and broads”—the tycoon also had a penchant for pursuing pie-in-the-sky business schemes. The most recent had come in 1963 when he purchased thousands of acres of land near Arizona’s Lake Havasu, an isolated body of water created by a dam on the Colorado River. McCulloch had founded the community of Lake Havasu City at the site and had designs on making it a tourist oasis, but he was still struggling to attract visitors. When his business associate C.V. Wood told him about London Bridge, the two concluded that it was just the kind of eye-catching centerpiece Lake Havasu needed. McCulloch even hatched a plan to carve one of the lake’s peninsulas into an island so the bridge would have something to span. “I had this ridiculous idea of bringing it to the Arizona desert,” he later joked to the Chicago Tribune Magazine. “I needed the bridge, but even if I didn’t, I might have bought it anyway.”

Negotiations for the purchase proceeded rapidly during the spring of 1968. According to McCulloch, the most difficult part was hashing out a sales price with the City of London authorities. “We poured an awful lot of scotch trying to loosen them up enough to give us some idea of how much they wanted,” he told the Chicago Tribune Magazine. Finally, after learning that dismantling the bridge would cost London $1.2 million, McCulloch and Wood decided to offer double that amount. As a sweetener, McCulloch tacked on an additional $60,000—$1,000 for each year old he would be when the bridge reopened at Lake Havasu. In April 1968, for a final price of $2,460,000, Robert McCulloch became the proud owner of the world’s largest antique.

With their purchase secured, McCulloch and Wood embarked on the herculean task of moving London Bridge to the United States. Workers began by labeling each of its granite bricks with markers that indicated their arch span, row number and position. The bridge was then disassembled, packed away in crates and shipped to Long Beach, California, via the Panama Canal. From there, a small army of trucks carried it across the desert to its new home at Lake Havasu. To ensure the bridge could handle modern traffic, construction crews built a hollow core of steel-reinforced concrete, which was then covered with 10,000 tons of the original 19th-century granite. The painstaking assembly process took place over a small strip of land that connected a peninsula to the mainland, but as the project neared completion, workers cut a mile-long channel through the isthmus and allowed it to fill with water, creating an island.

All told, the shipping, assembly and dredging took over three years and cost some $7 million—seven times as much as McCulloch had spent on the land that made up Lake Havasu City. Finally, on October 10, 1971, London Bridge was ready for its debut in the United States. In typically flamboyant fashion, McCulloch dedicated the monument in a ceremony that included skydivers, fireworks, marching bands, hot air balloons and a dinner banquet featuring lobster and roast beef—the same meal that had been served to King William IV during the bridge’s original unveiling in 1831. London’s Lord Mayor attended clad in his black ceremonial robes and accompanied by a sword bearer, and celebrities Robert Mitchum and Dan Rowan were on hand to add some star power. “It’s a supergimmick,” the New York Times quoted one British newsman as saying. “It’s all quite mad—it could only happen in America. Only an American would think of investing that much in something as crazy as this.”

https://i.imgur.com/KzSOqkKm.jpg
C.V. WOOD, PRESIDENT OF THE MCCULLOCH CORPORATION STANDING UNDER THE ALMOST LONDON BRIDGE NEAR LAKE HAVASU CITY. 

The reporter wasn’t the only one who considered the London Bridge project a crackpot scheme. By 1971, the purchase had become widely known as “McCulloch’s Folly,” and many predicted that he and Wood would live to regret it. There was even a rumor—since discredited—that the Americans had been duped into thinking they were buying the more iconic Tower Bridge. In the end, however, it was McCulloch and Wood who had the last laugh. Their whimsical purchase proved to be the marketing ploy that Lake Havasu City needed. From a population of just a few hundred in the early 1960s, the town blossomed to over 10,000 residents by 1974. In 1975, its chamber of commerce reported that the bridge had drawn nearly two million visitors the previous year.

Robert McCulloch would later gamble on several other farfetched business schemes before his death in 1977—including promoting helicopter-like “gyroplanes” as commuter vehicles—but Lake Havasu City proved to be his greatest success. The town he built from scratch is now home to over 50,000 full-time residents and boasts a thriving tourist industry. London Bridge, still standing after 185 years on two continents, remains its most recognizable landmark.

BY: EVAN ANDREWS

Read here:
https://www.history.com/news/how-london … in-arizona

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Description of the artwork «Window»

https://i.imgur.com/Lg1sQEMm.jpg
Window
Valentin Aleksandrovich Serov
• Painting, 1887

Region: Moscow
Location: The Museum of Russian impressionism, Moscow

“It is necessary at times: no, no, yes, a little crazy” - Valentin Serov described his creative method somehow. He then spoke of another picture. But, for sure, I could say the same about “Window” - a work on which it is not easy to guess the author.

The fact that Serov was a latent impressionist is perhaps not a sensation. From time to time, this beginning in him awakened - affected friendship with Konstantin Korovin (and, perhaps, the fact that Serov lived with his mother in Paris on Clichy Boulevard as a child). But even against the background of these impressionistic splashes, “The Window” seems to be too cursory a sketch.

Whether uncharacteristic Serovu intuitive ease of execution, or deliberate carelessness: air, glare, bustling summer ripples. Is this Serov who has been harassing himself and his models with hundreds of sessions, marathons, which, at times, dragged on for years? Is this the gloomy truth-lover, under whose eyes Shalyapin and Nikolay II were lost?

The young age of the artist nothing to do with. Very soon he will write his main hits: in just a year - "A girl with peaches"in two - "The girl lit by the sun".
For Serov, it was always important to feel some kind of emotion in relation to what he painted. The window in a simple country house was more important to him than the luxurious interiors of the Romanov and Yusupov palaces. This unassuming nature excited his feelings no less than later - bloody events of 1905 or, for example, naked Ida Rubinstein.

The window painted by Serov is in the house of his aunt Adelaida Simanovich in Edimonovo, a village with unexpectedly extensive ties with the world of Russian fine art. Brother Vasily Vereshchagin - Nikolai - founded a school of dairy farming here. I've been here and Mikhail Vrubel. As for Serov, in his fate Yedimonovo played a significant role - here in the house of Adelaide Simanovich he met his future wife, Olga Trubnikova. This window (along with to otherswritten in the same year) - sketch for her portrait.

Portrait itself At first, Serov disliked - he seemed to him too dark, not "gratifying" enough. The sketch is another matter - his "window into summer", looking into which the artist seemed to be transported to the carefree 86th.
Serov 21. He is full of strength, naive, in love. The window is wide open, and there is no squabbling behind it at the Academy of Fine Arts, no domestic troubles, no quarrels with friends, or 1905 - only the sun and high hopes.

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"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man.

TEXT

All the world's a stage,
And all the men and women merely Players;
They have their exits and their entrances,
And one man in his time plays many parts,
His Acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything.

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William Wordsworth. 1770–1850
   
Daffodils
   
I WANDER'D lonely as a cloud   
That floats on high o'er vales and hills,   
When all at once I saw a crowd,   
A host, of golden daffodils;   
Beside the lake, beneath the trees,         
Fluttering and dancing in the breeze.   
 
Continuous as the stars that shine   
And twinkle on the Milky Way,   
They stretch'd in never-ending line   
Along the margin of a bay:   
Ten thousand saw I at a glance,   
Tossing their heads in sprightly dance.   
 
The waves beside them danced; but they   
Out-did the sparkling waves in glee:   
A poet could not but be gay,   
In such a jocund company:   
I gazed—and gazed—but little thought   
What wealth the show to me had brought:   
 
For oft, when on my couch I lie   
In vacant or in pensive mood,   
They flash upon that inward eye   
Which is the bliss of solitude;   
And then my heart with pleasure fills,   
And dances with the daffodils.

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https://i.imgur.com/03ArbFMm.jpg
Rain, rain….
https://i.imgur.com/yI7l66Ym.jpg. https://i.imgur.com/fcUJWJom.jpg. https://i.imgur.com/UtGj3Mum.jpg. https://i.imgur.com/CU7U6XUm.jpghttps://i.imgur.com/lHSTRlpm.jpghttps://i.imgur.com/SWiJUKbm.jpg

Rain, rain, go away
Come again some other day
We want to go outside and play
Come again some other day
Rain, rain, go away
Come again some other day
We want to go outside and play
Come again some other day
Rain, rain, go away
Come again some other day
We want to go outside and play
Come again some other day

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https://www.bethsnotesplus.com/wp-content/uploads/2014/04/Daisy-Bell-1.png
Lyrics
(Harry Dacre, 1892)

Daisy Daisy give me your answer, do
I’m half crazy all for the love of you
It won’t be a stylish marriage
I can’t afford a carriage
But I’ll be switched if I’ll be hitched
On a bicycle built for two.

Michael Michael here is your answer true
I won’t cycle all for the love of you
If you can’t afford a carriage
Call off the bloomin’ marriage
‘Cause I’ll be switched if I’ll be hitched
On a bicycle built for two.

=Spoiler написал(а):

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https://i.imgur.com/DTOwW6im.jpg

=Spoiler написал(а):

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=Spoiler написал(а):

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=Spoiler написал(а):

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https://i.imgur.com/QA0BBv2m.jpg. https://i.imgur.com/CRpXMTdm.jpg

Legend of the Gargouille

A French legend that sprang up around the name of St. Romanus (French: Romain; fl. c. 631–641 AD), the former chancellor of the Merovingian king Clotaire II who was made bishop of Rouen, relates how he delivered the country around Rouen from a monster called Gargouille or Goji.La Gargouille is said to have been the typical dragon with bat-like wings, a long neck, and the ability to breathe fire from its mouth. Multiple versions of the story are given, either that St. Romanus subdued the creature with a crucifix, or he captured the creature with the help of the only volunteer, a condemned man. In each, the monster is led back to Rouen and burned, but its head and neck would not burn due to being tempered by its own fire breath. The head was then mounted on the walls of the newly built church to scare off evil spirits, and used for protection. In commemoration of St. Romain, the Archbishops of Rouen were granted the right to set a prisoner free on the day that the reliquary of the saint was carried in procession.

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One highly fanciful legend exists about the origin of the first gargoyle.
https://i.imgur.com/I0JOxU2m.jpg
I have come across it in several different books, so I figured I would share with you.

“La Gargouille, a dragon [who] was said to have regularly terrorized the French town of Rouen. On its annual visits, the dragon demanded of the townspeople a virgin maiden, although more often than not, he was given a convicted criminal instead. As the story goes, the villagers grew tired of La Gargouille’s demands. A priest arrived upon the scene and promised to subdue the dragon if, in return, the townspeople would build and join his church. Doubting his chances for success, they readily agreed and the priest set off to confront the dragon.

Shortly after leaving town, the priest came upon La Gargouille. Using the sign of the cross and other Christian powers, he quickly subdued the beast, then led the docile dragon on a leash back to Rouen. Wanting to ensure their permanent freedom from their oppressor, the townspeople burned La Gargouille at the stake. The beast’s head and neck did not burn, however, undoubtedly due to its lifelong habit of breathing fire, which had toughened its skin. The townspeople mounted these charred remains on their newly constructed church as a symbol of victory over evil. This story was set in stone when a dragon was carved on the exterior of the cathedral at Rouen, where it can be seen to this day.” (Trew Crist, Darlene. American Gargoyles: Spirits in Stone. New York: Clarkson Potter/Publishers, 2001. p15.)

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It is obvious that this tale, charming though it may be, is not really true. However, many stories have a basis in fact, and this may be no exception. It has commonly been proposed that the creatures depicted by gargoyles are holdovers from the pagan religions that predated Christianity in western Europe and were placed on the outsides of churches to make new converts more comfortable. Therefore, it may actually be true that gargoyles played a role in conversion, though unlikely quite to the magnitude suggested in the legend.

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