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Listening and Reading in English

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Listening and Reading in English

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Our stories are like little audiobooks, and feature everything from romance, to sci-fi thrillers, to drama, and even detective/crime fiction. We sometimes even welcome special guests to our story, like Sherlock Holmes, everyone's favorite sleuth (or at least ours). Other popular genres are fantasy, comedy, satire, and tragedy. You can get Biographics. We even read some  narrative poetry sometimes!

We don't offer writing tips, but we feature a wide variety of legendary authors from around the world. Reading good literature is one of the best ways to improve your own writing skill.

We're not an English-language course, but our stories are helpful for grasping idioms and English writing styles.

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Read:"A Tree. A Rock. A Cloud." By Carson McCullers

To "A Tree. A Rock. A Cloud." By Carson McCullers

It was raining that morning, and still very dark. When the boy reached the streetcar café he had almost finished his route and he went in for a cup of coffee. The place was an all-night café owned by a bitter and stingy man called Leo. After the raw, empty street, the café seemed friendly and bright: along the counter there were a couple of soldiers, three spinners from the cotton mill, and in a corner a man who sat hunched over with his nose and half his face down in a beer mug. The boy wore a helmet such as aviators wear. When he went into the café he unbuckled the chin strap and raised the right flap up over his pink little ear; often as he drank his coffee someone would speak to him in a friendly way. But this morning Leo did not look into his face and none of the men were talking. He paid and was leaving the café when a voice called out to him:
“Son! Hey Son!”
He turned back and the man in the corner was crooking his finger and nodding to him. He had brought his face out of the beer mug and he seemed suddenly very happy. The man was long and pale, with a big nose and faded orange hair.
“Hey Son!”
The boy went toward him. He was an undersized boy of about twelve, with one shoulder drawn higher than the other because of the weight of the paper sack. His face was shallow, freckled, and his eyes were round child eyes.
“Yeah Mister?”
The man laid one hand on the paper boy’s shoulders, then grasped the boy’s chin and turned his face slowly from one side to the other. The boy shrank back uneasily.
“Say! What’s the big idea?”
The boy’s voice was shrill; inside the café it was suddenly very quiet.
The man said slowly: “I love you.”
All along the counter the men laughed. The boy, who had scowled and sidled away, did not know what to
do. He looked over the counter at Leo, and Leo watched him with a weary, brittle jeer. The boy tried to laugh also. But the man was serious and sad.
“I did not mean to tease you, Son,” he said. “Sit down and have a beer with me. There is something I have to explain.”
Cautiously, out of the corner of his eye, the paper boy questioned the men along the counter to see what he should do. But they had gone back to their beer or their breakfast and did not notice him. Leo put a cup of coffee on the counter and a little jug of cream.
“He is a minor,” Leo said.
The paper boy slid himself up onto the stool. His ear beneath the upturned flap of the helmet was very small and red. The man was nodding at him soberly. “It is important,” he said. Then he reached in his hip pocket and brought out something which he held up in the palm of his hand for the boy to see.
“Look very carefully,” he said.
The boy stared, but there was nothing to look at very carefully. The man held in his big, grimy palm a photograph. It was the face of a woman, but blurred, so that only the hat and the dress she was wearing stood out clearly.
“See?” the man asked.
The boy nodded and the man placed another picture in his palm. The woman was standing on a beach in a bathing suit. The suit made her stomach very big, and that was the main thing you noticed.
“Got a good look?” He leaned over closer and finally asked: “You ever seen her before?”
The boy sat motionless, staring slantwise at the man. “Not so I know of.”
“Very well.” The man blew on the photographs and put them back into his pocket. “That was my wife.” “Dead?” the boy asked...

Following....

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"The Lost Decade" By F. Scott Fitzgerald

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"One Dollar's Worth" By O. Henry

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One Dollar's Worth
by O. Henry

The judge of the United States court of the district lying along the Rio Grande border found the following letter one morning in his mail:

JUDGE: When you sent me up for four years you made a talk. Among other hard things, you called me a rattlesnake. Maybe I am one -- anyhow, you hear me rattling now. One year after I got to the pen, my daughter died of -- well, they said it was poverty and the disgrace together. You've got a daughter, Judge, and I'm going to make you know how it feels to lose one. And I'm going to bite that district attorney that spoke against me. I'm free now, and I guess I've turned to rattlesnake all right. I feel like one. I don't say much, but this is my rattle. Look out when I strike.

Yours respectfully, RATTLESNAKE.

Judge Derwent threw the letter carelessly aside. It was nothing new to receive such epistles from desperate men whom he had been called upon to judge. He felt no alarm. Later on he showed the letter to Littlefield, the young district attorney, for Littlefield's name was included in the threat, and the judge was punctilious in matters between himself and his fellow men.

Littlefield honoured the rattle of the writer, as far as it concerned himself, with a smile of contempt; but he frowned a little over the reference to the Judge's daughter, for he and Nancy Derwent were to be married in the fall.

Littlefield went to the clerk of the court and looked over the records with him. They decided that the letter might have been sent by Mexico Sam, a half-breed border desperado who had been imprisoned for manslaughter four years before. Then official duties crowded the mat- ter from his mind, and the rattle of the revengeful serpent was forgotten.

Court was in session at Brownsville. Most of the cases to be tried were charges of smuggling, counterfeiting, post-office robberies, and violations of Federal laws along the border. One case was that of a young Mexican, Rafael Ortiz, who had been rounded up by a clever deputy marshal in the act of passing a counterfeit silver dollar. He had been suspected of many such deviations from rectitude, but this was the first time that anything provable had been fixed upon him. Ortiz languished cozily in jail, smoking brown cigarettes and waiting for trial. Kilpatrick, the deputy, brought the counterfeit dollar and handed it to the district attorney in his office in the court-house. The deputy and a reputable druggist were prepared to swear that Ortiz paid for a bottle of medicine with it. The coin was a poor counterfeit, soft, dull-looking, and made principally of lead. It was the day before the morning on which the docket would reach the case of Ortiz, and the district attorney was preparing himself for trial.

"Not much need of having in high-priced experts to prove the coin's queer, is there, Kil?" smiled Littlefield, as he thumped the dollar down upon the table, where it fell with no more ring than would have come from a lump of putty.

"I guess the Greaser's as good as behind the bars," said the deputy, easing up his holsters. "You've got him dead. If it had been just one time, these Mexicans can't tell good money from bad; but this little yaller rascal belongs to a gang of counterfeiters, I know. This is the first time I've been able to catch him doing the trick. He's got a girl down there in them Mexican jacals on the river bank. I seen her one day when I was watching him. She's as pretty as a red heifer in a flower bed."

Littlefield shoved the counterfeit dollar into his pocket, and slipped his memoranda of the case into an envelope. Just then a bright, winsome face, as frank and jolly as a boy's, appeared in the doorway, and in walked Nancy Derwent.

"Oh, Bob, didn't court adjourn at twelve to-day until to-morrow?" she asked of Littlefield.

"It did," said the district attorney, "and I'm very glad of it. I've got a lot of rulings to look up, and -- "

"Now, that's just like you. I wonder you and father don't turn to law books or rulings or something! I want you to take me out plover-shooting this afternoon. Long Prairie is just alive with them. Don't say no, please! I want to try my new twelve-bore hammerless. I've sent to the livery stable to engage Fly and Bess for the buckboard; they stand fire so nicely. I was sure you would go."

They were to be married in the fall. The glamour was at its height. The plovers won the day -- or, rather, the afternoon -- over the calf-bound authorities. Littlefield began to put his papers away.

There was a knock at the door. Kilpatrick answered it. A beautiful, dark-eyed girl with a skin tinged with the faintest lemon colour walked into the room. A black shawl was thrown over her head and wound once around her neck.

She began to talk in Spanish, a voluble, mournful stream of melancholy music. Littlefield did not under- stand Spanish. The deputy did, and he translated her talk by portions, at intervals holding up his hand to check the flow of her words.

"She came to see you, Mr. Littlefield. Her name's Joya Trevias. She wants to see you about -- well, she's mixed up with that Rafael Ortiz. She's his -- she's his girl. She says he's innocent. She says she made the money and got him to pass it. Don't you believe her, Mr. Little-field. That's the way with these Mexi- can girls; they'll lie, steal, or kill for a fellow when they get stuck on him. Never trust a woman that's in love!"

"Mr. Kilpatrick!"

Nancy Derwent's indignant exclamation caused the deputy to flounder for a moment in attempting to explain that he had misquoted his own sentiments, and then he event on with the translation:

"She says she's willing to take his place in the jail if you'll let him out. She says she was down sick with the fever, and the doctor said she'd die if she didn't have medicine. That's why he passed the lead dollar on the drug store. She says it saved her life. This Rafal. seems to be her honey, all right; there's a lot of stuff in her talk about love and such things that you don't want to hear."

It was an old story to the district attorney.

"Tell her," said he, "that I can do nothing. The case comes up in the morning, and he will have to make his fight before the court."

Nancy Derwent was not so hardened. She was look- ing with sympathetic interest at Joya Trevias and at Littlefield alternately. The deputy repeated the dis- trict attorney's words to the girl. She spoke a sentence or two in a low voice, pulled her shawl closely about her face, and left the room.

"What did she say then?" asked the district attorney.

"Nothing special," said the deputy. "She said: 'If the life of the one' -- let's see how it went -- 'Si la vida de ella a quien tu amas -- if the life of the girl you love is ever in danger, remember Rafael Ortiz.'"

Kilpatrick strolled out through the corridor in the direction of the marshal's office.

"Can't you do anything for them, Bob?" asked Nancy. "It's such a little thing -- just one counterfeit dollar -- to ruin the happiness of two lives! She was in danger of death, and he did it to save her. Doesn't the law know the feeling of pity?"

"It hasn't a place in jurisprudence, Nan," said Little- field, "especially in re the district attorney's duty. I'll promise you that the prosecution will not be vindictive; but the man is as good as convicted when the case is called. Witnesses will swear to his passing the bad dollar which I have in my pocket at this moment as 'Exhibit A.' There are no Mexicans on the jury, and it will vote Mr. Greaser guilty without leaving the box."

The plover-shooting was fine that afternoon, and in the excitement of the sport the case of Rafael and the grief of Joya Trevias was forgotten. The district attor- ney and Nancy Derwent drove out from the town three miles along a smooth, grassy road, and then struck across a rolling prairie toward a heavy line of timber on Piedra Creek. Beyond this creek lay Long Prairie, the favourite haunt of the plover. As they were nearing the creek they heard the galloping of a horse to their right, and saw a man with black hair and a swarthy face riding toward the woods at a tangent, as if he had come up behind them.

"I've seen that fellow somewhere," said Littlefield, who had a memory for faces, "but I can't exactly place him. Some ranchman, I suppose, taking a short cut home."

They spent an hour on Long Prairie, shooting from the buckboard. Nancy Derwent, an active, outdoor Western girl, was pleased with her twelve-bore. She had bagged within two brace of her companion's score.

They started homeward at a gentle trot. When within a hundred yards of Piedra Creek a man rode out of the timber directly toward them.

"It looks like the man we saw coming over," remarked Miss Derwent.

As the distance between them lessened, the district attorney suddenly pulled up his team sharply, with his eyes fixed upon the advancing horseman. That individ- ual had drawn a Winchester from its scabbard on his saddle and thrown it over his arm.

"Now I know you, Mexico Sam!" muttered Littlefield to himself. "It was you who shook your rattles in that gentle epistle."

Mexico Sam did not leave things long in doubt. He had a nice eye in all matters relating to firearms, so when he was within good rifle range, but outside of danger from No. 8 shot, he threw up his Winchester and opened fire upon the occupants of the buckboard.

The first shot cracked the back of the seat within the two-inch space between the shoulders of Littlefield and Miss Derwent. The next went through the dashboard and Littlefield's trouser leg.

The district attorney hustled Nancy out of the buck- board to the ground. She was a little pale, but asked no questions. She had the frontier instinct that accepts conditions in an emergency without superfluous argument. They kept their guns in hand, and Littlefield hastily gathered some handfuls of cartridges from the pasteboard box on the seat and crowded them into his pockets

"Keep behind the horses, Nan," he commanded. "That fellow is a ruffian I sent to prison once. He's trying to get even. He knows our shot won't hurt him at that distance."

"All right, Bob," said Nancy steadily. "I'm not afraid. But you come close, too. Whoa, Bess; stand still, now!"

She stroked Bess's mane. Littlefield stood with his gun ready, praying that the desperado would come within range.

But Mexico Sam was playing his vendetta along safe lines. He was a bird of different feather from the plover. His accurate eye drew an imaginary line of circumference around the area of danger from bird-shot, and upon this line lie rode. His horse wheeled to the right, and as his victims rounded to the safe side of their equine breast- work he sent a ball through the district attorney's hat. Once he miscalculated in making a dtour, and over- stepped Ms margin. Littlefield's gun flashed, and Mexico Sam ducked his head to the harmless patter of the shot. A few of them stung his horse, which pranced promptly back to the safety line.

The desperado fired again. A little cry came from Nancy Derwent. Littlefield whirled, with blazing eyes, and saw the blood trickling down her cheek.

"I'm not hurt, Bob -- only a splinter struck me. I think he hit one of the wheel-spokes."

"Lord!" groaned Littlefield. "If I only had a charge of buckshot!"

The ruffian got his horse still, and took careful aim. Fly gave a snort and fell in the harness, struck in the neck. Bess, now disabused of the idea that plover were being fired at, broke her traces and galloped wildly away -- Mexican Sam sent a ball neatly through the fulness of Nancy Derwent's shooting jacket.

"Lie down -- lie down!" snapped Littlefield. "close to the horse -- flat on the ground -- so." He almost threw her upon the grass against the back of the recum- bent Fly. Oddly enough, at that moment the words of the Mexican girl returned to his mind:

"If the life of the girl you love is ever in danger, remem- ber Rafael Ortiz."

Littlefield uttered an exclamation.

"Open fire on him, Nan, across the horse's back. Fire as fast as you can! You can't hurt him, but keep him dodging shot for one minute while I try to work a little scheme."

Nancy gave a quick glance at Littlefield, and saw him take out his pocket-knife and open it. Then she turned her face to obey orders, keeping up a rapid fire at the enemy.

Mexico Sam waited patiently until this innocuous fusillade ceased. He had plenty of time, and he did not care to risk the chance of a bird-shot in his eye when could be avoided by a little caution. He pulled his heavy Stetson low down over his face until the shots ceased.

Then he drew a little nearer, and fired with careful aim at what he could see of his victims above the fallen horse. Neither of them moved. He urged his horse a few steps nearer. He saw the district attorney rise to one knee and deliberately level his shotgun. He pulled his hat down and awaited the harmless rattle of the tiny pellets.

The shotgun blazed with a heavy report. Mexico Sam sighed, turned limp all over, and slowly fell from his horse -- a dead rattlesnake.

At ten o'clock the next morning court opened, and the case of the United States versus Rafael Ortiz was called. The district attorney, with his arm in a sling, rose and addressed the court.

"May it please your honour," he said, "I desire to enter a nolle pros. in this case. Even though the defend- ant should be guilty, there is not sufficient evidence in the hands of the government to secure a conviction. The piece of counterfeit coin upon the identity of which the case was built is not now available as evidence. I ask, therefore, that the case be stricken off."

At the noon recess Kilpatrick strolled into the district attorney's office.

"I've just been down to take a squint at old Mexico Sam," said the deputy. "They've got him laid out. Old Mexico was a tough outfit, I reckon. The boys was wonderin' down there what you shot him with. Some said it must have been nails. I never see a gun carry anything to make holes like he had."

"I shot him," said the district attorney, "with Exhibit A of your counterfeiting case. Lucky thing for me -- and somebody else -- that it was as bad money as it was! It sliced up into slugs very nicely. Say, Kil, can't you go down to the jacals and find where that Mexican girl lives? Miss Derwent wants to know."

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The Magic Shop by H. G. Wells

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The Magic Shop
by H.G. Wells

The Magic Shop (1903) offers a boy and his father an incredible afternoon, where allusions and reality fuse magically. "I don't know if you noticed our inscription--the Genuine Magic shop." He drew a business-card from his cheek and handed it to me. "Genuine," he said, with his finger on the word, and added, "There is absolutely no deception, sir."

I had seen the Magic Shop from afar several times; I had passed it once or twice, a shop window of alluring little objects, magic balls, magic hens, wonderful cones, ventriloquist dolls, the material of the basket trick, packs of cards that looked all right, and all that sort of thing, but never had I thought of going in until one day, almost without warning, Gip hauled me by my finger right up to the window, and so conducted himself that there was nothing for it but to take him in. I had not thought the place was there, to tell the truth--a modest-sized frontage in Regent Street, between the picture shop and the place where the chicks run about just out of patent incubators, but there it was sure enough. I had fancied it was down nearer the Circus, or round the corner in Oxford Street, or even in Holborn; always over the way and a little inaccessible it had been, with something of the mirage in its position; but here it was now quite indisputably, and the fat end of Gip's pointing finger made a noise upon the glass.

"If I was rich," said Gip, dabbing a finger at the Disappearing Egg, "I'd buy myself that. And that"--which was The Crying Baby, Very Human --and that," which was a mystery, and called, so a neat card asserted, "Buy One and Astonish Your Friends."

"Anything," said Gip, "will disappear under one of those cones. I have read about it in a book.

"And there, dadda, is the Vanishing Halfpenny--, only they've put it this way up so's we can't see how it's done."

Gip, dear boy, inherits his mother's breeding, and he did not propose to enter the shop or worry in any way; only, you know, quite unconsciously he lugged my finger doorward, and he made his interest clear.

"That," he said, and pointed to the Magic Bottle.

"If you had that?" I said; at which promising inquiry he looked up with a sudden radiance.

"I could show it to Jessie," he said, thoughtful as ever of others.

"It's less than a hundred days to your birthday, Gibbles," I said, and laid my hand on the door-handle.

Gip made no answer, but his grip tightened on my finger, and so we came into the shop.

It was no common shop this; it was a magic shop, and all the prancing precedence Gip would have taken in the matter of mere toys was wanting. He left the burthen of the conversation to me.

It was a little, narrow shop, not very well lit, and the door-bell pinged again with a plaintive note as we closed it behind us. For a moment or so we were alone and could glance about us. There was a tiger in papier-mache on the glass case that covered the low counter--a grave, kind-eyed tiger that waggled his head in a methodical manner; there were several crystal spheres, a china hand holding magic cards, a stock of magic fish-bowls in various sizes, and an immodest magic hat that shamelessly displayed its springs. On the floor were magic mirrors; one to draw you out long and thin, one to swell your head and vanish your legs, and one to make you short and fat like a draught; and while we were laughing at these the shopman, as I suppose, came in.

At any rate, there he was behind the counter--a curious, sallow, dark man, with one ear larger than the other and a chin like the toe-cap of a boot.

"What can we have the pleasure?" he said, spreading his long, magic fingers on the glass case; and so with a start we were aware of him.

"I want," I said, "to buy my little boy a few simple tricks."

"Legerdemain?" he asked. "Mechanical? Domestic?"

"Anything amusing?" said I.

"Um!" said the shopman, and scratched his head for a moment as if thinking. Then, quite distinctly, he drew from his head a glass ball. "Something in this way?" he said, and held it out.

The action was unexpected. I had seen the trick done at entertainments endless times before--it's part of the common stock of conjurers-- but I had not expected it here.

"That's good," I said, with a laugh.

"Isn't it?" said the shopman.

Gip stretched out his disengaged hand to take this object and found merely a blank palm.

"It's in your pocket," said the shopman, and there it was!

"How much will that be?" I asked.

"We make no charge for glass balls," said the shopman politely. "We get them,"--he picked one out of his elbow as he spoke--"free." He produced another from the back of his neck, and laid it beside its predecessor on the counter. Gip regarded his glass ball sagely, then directed a look of inquiry at the two on the counter, and finally brought his round-eyed scrutiny to the shopman, who smiled.

"You may have those too," said the shopman, "and, if you don't mind, one from my mouth. So!"

Gip counselled me mutely for a moment, and then in a profound silence put away the four balls, resumed my reassuring finger, and nerved himself for the next event.

"We get all our smaller tricks in that way," the shopman remarked.

I laughed in the manner of one who subscribes to a jest. "Instead of going to the wholesale shop," I said. "Of course, it's cheaper."

"In a way," the shopman said. "Though we pay in the end. But not so heavily--as people suppose. . . . Our larger tricks, and our daily provisions and all the other things we want, we get out of that hat. . . And you know, sir, if you'll excuse my saying it, there isn't a wholesale shop, not for Genuine Magic goods, sir. I don't know if you noticed our inscription--the Genuine Magic shop." He drew a business-card from his cheek and handed it to me. "Genuine," he said, with his finger on the word, and added, "There is absolutely no deception, sir."

He seemed to be carrying out the joke pretty thoroughly, I thought.

He turned to Gip with a smile of remarkable affability. "You, you know, are the Right Sort of Boy."

I was surprised at his knowing that, because, in the interests of discipline, we keep it rather a secret even at home; but Gip received it in unflinching silence, keeping a steadfast eye on him.

"It's only the Right Sort of Boy gets through that doorway."

And, as if by way of illustration, there came a rattling at the door, and a squeaking little voice could be faintly heard. "Nyar! I warn 'a go in there, dadda, I warn 'a go in there. Ny-a-a-ah!" and then the accents of a down-trodden parent, urging consolations and propitiations. "It's locked, Edward," he said.

"But it isn't," said I.

"It is, sir," said the shopman, "always--for that sort of child," and as he spoke we had a glimpse of the other youngster, a little, white face, pallid from sweet-eating and over-sapid food, and distorted by evil passions, a ruthless little egotist, pawing at the enchanted pane. "It's no good, sir," said the shopman, as I moved, with my natural helpfulness, doorward, and presently the spoilt child was carried off howling.

"How do you manage that?" I said, breathing a little more freely.

"Magic!" said the shopman, with a careless wave of the hand, and behold! sparks of coloured fire flew out of his fingers and vanished into the shadows of the shop.

"You were saying," he said, addressing himself to Gip, "before you came in, that you would like one of our 'Buy One and Astonish your Friends' boxes?"

Gip, after a gallant effort, said "Yes."

"It's in your pocket."

And leaning over the counter--he really had an extraordinarily long body--this amazing person produced the article in the customary conjurer's manner. "Paper," he said, and took a sheet out of the empty hat with the springs; "string," and behold his mouth was a string-box, from which he drew an unending thread, which when he had tied his parcel he bit off--and, it seemed to me, swallowed the ball of string. And then he lit a candle at the nose of one of the ventriloquist's dummies, stuck one of his fingers (which had become sealing-wax red) into the flame, and so sealed the parcel. "Then there was the Disappearing Egg," he remarked, and produced one from within my coat-breast and packed it, and also The Crying Baby, Very Human. I handed each parcel to Gip as it was ready, and he clasped them to his chest.

He said very little, but his eyes were eloquent; the clutch of his arms was eloquent. He was the playground of unspeakable emotions. These, you know, were real Magics. Then, with a start, I discovered something moving about in my hat--something soft and jumpy. I whipped it off, and a ruffled pigeon--no doubt a confederate--dropped out and ran on the counter, and went, I fancy, into a cardboard box behind the papier-mache tiger.

"Tut, tut!" said the shopman, dexterously relieving me of my headdress; "careless bird, and--as I live--nesting!"

He shook my hat, and shook out into his extended hand two or three eggs, a large marble, a watch, about half-a-dozen of the inevitable glass balls, and then crumpled, crinkled paper, more and more and more, talking all the time of the way in which people neglect to brush their hats inside as well as out, politely, of course, but with a certain personal application. "All sorts of things accumulate, sir. . . . Not you, of course, in particular. . . . Nearly every customer. . . . Astonishing what they carry about with them. . . ." The crumpled paper rose and billowed on the counter more and more and more, until he was nearly hidden from us, until he was altogether hidden, and still his voice went on and on. "We none of us know what the fair semblance of a human being may conceal, sir. Are we all then no better than brushed exteriors, whited sepulchres--"

His voice stopped--exactly like when you hit a neighbour's gramophone with a well-aimed brick, the same instant silence, and the rustle of the paper stopped, and everything was still. . . .

"Have you done with my hat?" I said, after an interval.

There was no answer.

I stared at Gip, and Gip stared at me, and there were our distortions in the magic mirrors, looking very rum, and grave, and quiet. . . .

"I think we'll go now," I said. "Will you tell me how much all this comes to? . . . .

"I say," I said, on a rather louder note, "I want the bill; and my hat, please."

It might have been a sniff from behind the paper pile. . . .

"Let's look behind the counter, Gip," I said. "He's making fun of us."

I led Gip round the head-wagging tiger, and what do you think there was behind the counter? No one at all! Only my hat on the floor, and a common conjurer's lop-eared white rabbit lost in meditation, and looking as stupid and crumpled as only a conjurer's rabbit can do. I resumed my hat, and the rabbit lolloped a lollop or so out of my way.

"Dadda!" said Gip, in a guilty whisper.

"What is it, Gip?" said I.

"I do like this shop, dadda."

"So should I," I said to myself, "if the counter wouldn't suddenly extend itself to shut one off from the door." But I didn't call Gip's attention to that. "Pussy!" he said, with a hand out to the rabbit as it came lolloping past us; "Pussy, do Gip a magic!" and his eyes followed it as it squeezed through a door I had certainly not remarked a moment before. Then this door opened wider, and the man with one ear larger than the other appeared again. He was smiling still, but his eye met mine with something between amusement and defiance. "You'd like to see our show-room, sir," he said, with an innocent suavity. Gip tugged my finger forward. I glanced at the counter and met the shopman's eye again. I was beginning to think the magic just a little too genuine. "We haven't VERY much time," I said. But somehow we were inside the show-room before I could finish that.

"All goods of the same quality," said the shopman, rubbing his flexible hands together, "and that is the Best. Nothing in the place that isn't genuine Magic, and warranted thoroughly rum. Excuse me, sir!"

I felt him pull at something that clung to my coat-sleeve, and then I saw he held a little, wriggling red demon by the tail--the little creature bit and fought and tried to get at his hand--and in a moment he tossed it carelessly behind a counter. No doubt the thing was only an image of twisted indiarubber, but for the moment--! And his gesture was exactly that of a man who handles some petty biting bit of vermin. I glanced at Gip, but Gip was looking at a magic rocking- horse. I was glad he hadn't seen the thing. "I say," I said, in an undertone, and indicating Gip and the red demon with my eyes, "you haven't many things like that about, have you?"

"None of ours! Probably brought it with you," said the shopman-- also in an undertone, and with a more dazzling smile than ever. "Astonishing what people will carry about with them unawares!" And then to Gip, "Do you see anything you fancy here?"

There were many things that Gip fancied there.

He turned to this astonishing tradesman with mingled confidence and respect. "Is that a Magic Sword?" he said.

"A Magic Toy Sword. It neither bends, breaks, nor cuts the fingers. It renders the bearer invincible in battle against any one under eighteen. Half-a-crown to seven and sixpence, according to size. These panoplies on cards are for juvenile knights-errant and very useful-- shield of safety, sandals of swiftness, helmet of invisibility."

"Oh, daddy!" gasped Gip.

I tried to find out what they cost, but the shopman did not heed me. He had got Gip now; he had got him away from my finger; he had embarked upon the exposition of all his confounded stock, and nothing was going to stop him. Presently I saw with a qualm of distrust and something very like jealousy that Gip had hold of this person's finger as usually he has hold of mine. No doubt the fellow was interesting, I thought, and had an interestingly faked lot of stuff, really good faked stuff, still--

I wandered after them, saying very little, but keeping an eye on this prestidigital fellow. After all, Gip was enjoying it. And no doubt when the time came to go we should be able to go quite easily.

It was a long, rambling place, that show-room, a gallery broken up by stands and stalls and pillars, with archways leading off to other departments, in which the queerest-looking assistants loafed and stared at one, and with perplexing mirrors and curtains. So perplexing, indeed, were these that I was presently unable to make out the door by which we had come.

The shopman showed Gip magic trains that ran without steam or clockwork, just as you set the signals, and then some very, very valuable boxes of soldiers that all came alive directly you took off the lid and said--. I myself haven't a very quick ear and it was a tongue- twisting sound, but Gip--he has his mother's ear--got it in no time. "Bravo!" said the shopman, putting the men back into the box unceremoniously and handing it to Gip. "Now," said the shopman, and in a moment Gip had made them all alive again.

"You'll take that box?" asked the shopman.

"We'll take that box," said I, "unless you charge its full value. In which case it would need a Trust Magnate--"

"Dear heart! No!" and the shopman swept the little men back again, shut the lid, waved the box in the air, and there it was, in brown paper, tied up and--with Gip's full name and address on the paper!

The shopman laughed at my amazement.

"This is the genuine magic," he said. "The real thing."

"It's a little too genuine for my taste," I said again.

After that he fell to showing Gip tricks, odd tricks, and still odder the way they were done. He explained them, he turned them inside out, and there was the dear little chap nodding his busy bit of a head in the sagest manner.

I did not attend as well as I might. "Hey, presto!" said the Magic Shopman, and then would come the clear, small "Hey, presto!" of the boy. But I was distracted by other things. It was being borne in upon me just how tremendously rum this place was; it was, so to speak, inundated by a sense of rumness. There was something a little rum about the fixtures even, about the ceiling, about the floor, about the casually distributed chairs. I had a queer feeling that whenever I wasn't looking at them straight they went askew, and moved about, and played a noiseless puss-in-the-corner behind my back. And the cornice had a serpentine design with masks--masks altogether too expressive for proper plaster.

Then abruptly my attention was caught by one of the odd-looking assistants. He was some way off and evidently unaware of my presence-- I saw a sort of three-quarter length of him over a pile of toys and through an arch--and, you know, he was leaning against a pillar in an idle sort of way doing the most horrid things with his features! The particular horrid thing he did was with his nose. He did it just as though he was idle and wanted to amuse himself. First of all it was a short, blobby nose, and then suddenly he shot it out like a telescope, and then out it flew and became thinner and thinner until it was like a long, red, flexible whip. Like a thing in a nightmare it was! He flourished it about and flung it forth as a fly-fisher flings his line.

My instant thought was that Gip mustn't see him. I turned about, and there was Gip quite preoccupied with the shopman, and thinking no evil. They were whispering together and looking at me. Gip was standing on a little stool, and the shopman was holding a sort of big drum in his hand.

"Hide and seek, dadda!" cried Gip. "You're He!"

And before I could do anything to prevent it, the shopman had clapped the big drum over him. I saw what was up directly. "Take that off," I cried, "this instant! You'll frighten the boy. Take it off!"

The shopman with the unequal ears did so without a word, and held the big cylinder towards me to show its emptiness. And the little stool was vacant! In that instant my boy had utterly disappeared? . . .

You know, perhaps, that sinister something that comes like a hand out of the unseen and grips your heart about. You know it takes your common self away and leaves you tense and deliberate, neither slow nor hasty, neither angry nor afraid. So it was with me.

I came up to this grinning shopman and kicked his stool aside.

"Stop this folly!" I said. "Where is my boy?"

"You see," he said, still displaying the drum's interior, "there is no deception---"

I put out my hand to grip him, and he eluded me by a dexterous movement. I snatched again, and he turned from me and pushed open a door to escape. "Stop!" I said, and he laughed, receding. I leapt after him--into utter darkness.

THUD!

"Lor' bless my 'eart! I didn't see you coming, sir!"

I was in Regent Street, and I had collided with a decent-looking working man; and a yard away, perhaps, and looking a little perplexed with himself, was Gip. There was some sort of apology, and then Gip had turned and come to me with a bright little smile, as though for a moment he had missed me.

And he was carrying four parcels in his arm!

He secured immediate possession of my finger.

For the second I was rather at a loss. I stared round to see the door of the magic shop, and, behold, it was not there! There was no door, no shop, nothing, only the common pilaster between the shop where they sell pictures and the window with the chicks! . . .

I did the only thing possible in that mental tumult; I walked straight to the kerbstone and held up my umbrella for a cab.

"'Ansoms," said Gip, in a note of culminating exultation.

I helped him in, recalled my address with an effort, and got in also. Something unusual proclaimed itself in my tail-coat pocket, and I felt and discovered a glass ball. With a petulant expression I flung it into the street.

Gip said nothing.

For a space neither of us spoke.

"Dada!" said Gip, at last, "that was a proper shop!"

I came round with that to the problem of just how the whole thing had seemed to him. He looked completely undamaged--so far, good; he was neither scared nor unhinged, he was simply tremendously satisfied with the afternoon's entertainment, and there in his arms were the four parcels.

Confound it! what could be in them?

"Um!" I said. "Little boys can't go to shops like that every day."

He received this with his usual stoicism, and for a moment I was sorry I was his father and not his mother, and so couldn't suddenly there, coram publico, in our hansom, kiss him. After all, I thought, the thing wasn't so very bad.

But it was only when we opened the parcels that I really began to be reassured. Three of them contained boxes of soldiers, quite ordinary lead soldiers, but of so good a quality as to make Gip altogether forget that originally these parcels had been Magic Tricks of the only genuine sort, and the fourth contained a kitten, a little living white kitten, in excellent health and appetite and temper.

I saw this unpacking with a sort of provisional relief. I hung about in the nursery for quite an unconscionable time. . . .

That happened six months ago. And now I am beginning to believe it is all right. The kitten had only the magic natural to all kittens, and the soldiers seem as steady a company as any colonel could desire. And Gip--?

The intelligent parent will understand that I have to go cautiously with Gip.

But I went so far as this one day. I said, "How would you like your soldiers to come alive, Gip, and march about by themselves?"

"Mine do," said Gip. "I just have to say a word I know before I open the lid."

"Then they march about alone?"

"Oh, quite, dadda. I shouldn't like them if they didn't do that."

I displayed no unbecoming surprise, and since then I have taken occasion to drop in upon him once or twice, unannounced, when the soldiers were about, but so far I have never discovered them performing in anything like a magical manner.

It's so difficult to tell.

There's also a question of finance. I have an incurable habit of paying bills. I have been up and down Regent Street several times, looking for that shop. I am inclined to think, indeed, that in that matter honour is satisfied, and that, since Gip's name and address are known to them, I may very well leave it to these people, whoever they may be, to send in their bill in their own time.

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8

The Crystal Egg - H. G. Wells

"The Crystal Egg" is a science fiction short story written by H. G. Wells in 1897. The story tells of a shop owner, named Mr. Cave, who finds a strange crystal egg that serves as a window into the planet Mars. The story was written the same year in which Wells was serializing The War of the Worlds in Pearson's Magazine, a year before it was published as a novel...

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A Sherlock Holmes Adventure: The Bruce-Partington Plans

The Adventure of the Bruce-Partington Plans is a short story featuring the exploits of Sherlock Holmes and Dr. Watson, not to mention Mycroft Holmes and Inspector Lestrade. It appears in the volume of stories published in 1917 entitled 'His Last Bow', written by Sir Arthur Conan Doyle.

There's a murder been committed, a pea-souper swirls around London from Woolwich Arsenal to Gloucester Road tube, Mycroft is on his way to Baker Street and much else besides.  Holmes considers the problem...  will he ever get to finish his monograph on early music?

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10

The Stranger by Norman Whitney

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11

Destination Unknown by Agatha Christie

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12

Agatha Christy_The four suspects

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13

Agatha Christie The_Christmas_Tragedy

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14

Oscar Wilde’s Short Stories

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15

H.G. Wells - The Star

So, doing a series of sci fi short stories we naturally had to have a go at the grandfather of science fiction. H.G. Wells, with a story called The Star, from 1897.

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16

The Merchant of Venice by William Shakespeare

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David Copperfield by Charles Dickens

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Les Miserables by Victor Hugo

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19

The End of the Affair - Graham Greene

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20

To Kill a Mockingbird by Harper Lee

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